{"version":"1.0","provider_name":"Katharina Klewinghaus","provider_url":"https:\/\/www.katharina-klewinghaus.de\/en","author_name":"katharina","author_url":"https:\/\/www.katharina-klewinghaus.de\/en\/author\/katharina\/","title":"Science of Horror - Katharina Klewinghaus","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Gat4fu6QhQ\"><a href=\"https:\/\/www.katharina-klewinghaus.de\/en\/soh\/\">Science of Horror<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.katharina-klewinghaus.de\/en\/soh\/embed\/#?secret=Gat4fu6QhQ\" width=\"600\" height=\"338\" title=\"&#8220;Science of Horror&#8221; &#8212; Katharina Klewinghaus\" data-secret=\"Gat4fu6QhQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"2008, 82 minutes, Germany\/USA, Language: English, HD Video, Colour The feminist perspective towards the so called \u201clow body genres\u201d changed with the launch of &nbsp;the book \u201cMen, women and chain saws\u201d (1992) by Carol Clover as well as Linda William\u2019s \u201cHard Core\u201d (1989). Until then, genres such as horror were mainly condemned by feminist writings,&hellip; Continue reading Untitled","thumbnail_url":"http:\/\/www.katharina-klewinghaus.de\/wp-content\/uploads\/2013\/03\/SoH-II-1024x186.jpg"}